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About Angel Gil-Ordóñez

Gil-Ordóñez

A frequent guest conductor across Europe, the United States and Latin America, Angel Gil-Ordóñez holds the positions of Music Director/Conductor of PostClassical Ensemble in Washington, D.C., Principal Guest Conductor of New York’s Perspectives Ensemble, and Music Director of the Georgetown University Orchestra. He also serves as advisor for education and programming for Trinitate Philharmonia, a program in León, Mexico, modeled on Venezuela’s El Sistema.

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Performances

Wed, March 4, 2020 – 7:30 pm Concert in 45 days

An Armenian Odyssey: The Color of Pomegranates

The Armenian Festival introduces D.C. audiences to the singular Armenian/Syrian artist Kevork Mourad (winner of Germany’s 2019 Robert Bosch Stiftung prize for animation), who creates animated artwork in real time in response to live music.

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Sat, January 25, 2020 – 8:00 pm Concert in 6 days

World premiere of Aaron Travers' Yellowwood for orchestra and video

Angel Gil-Ordóñez conducts the world premiere of Aaron Travers’ Yellowwood for orchestra and video, performed by the advanced students of the Jacobs School of Music at Indiana University.

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News

In the press

Top Ten Performances of 2019

Concert review published on December 23, 2019 in Washington Classical Review

A musical job unlike any other: A talk with Angel Gil-Ordóñez of the PostClassical Ensemble

Interview published on October 15, 2019 in DC Metro Theater Arts

PostClassical Presents the Music of Bernard Herrmann

Podcast published on June 28, 2019 in WWFM Classical

Distinctive and Different Falla from Gil-Ordóñez

Disc review published on June 25, 2019 in ClassicsToday.com

Ángel Gil-Ordoñez y Alfredo García

Podcast published on June 25, 2019 in La dársena (Radio Clásica, RTVE)

Novetat: Enregistrament de la versió original d'El amor brujo, de Manuel de Falla

Podcast published on June 12, 2019 in Catalunya Ràdio

New disc release

Falla: El amor brujo (1915 original version) / El retablo de Maese Pedro

My thoughts Blog

Reflections on Silvestre Revueltas

Working on Spanish repertoire –the music with which I started my career as a conductor– has helped me to understand the music of all cultures. Consider the internationally popular Spanish filmmaker Pedro Almodóvar. The fact that Almodóvar is so unusual, so local (not just to Spain, but to Madrid), so true to his own vicinity in rendering feeling and experience – this is what makes him so universal. The more I studied the composers of Spain, the more I was able to appreciate the German or French repertoire – or, in the case of tonight’s concert, the music of Mexico.

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Victoria, Falla and the Spanish tradition

Tomas Luis de Victoria is a product of the Siglo de Oro (“The Golden Century”) when Spain was the dominant European nation, Philip II was the powerful Spanish king – and Victoria was Europe’s greatest composer. He was born in Avila in 1548. He went to Rome as a young man and was befriended by Palestrina – the leading Italian church composer of the time. He succeeded Palestrina at the Roman Seminary in 1571 and was ordained a priest four years later. But he yearned to return to Spain, which he did some time in the 1590s as chaplain to the widowed sister of Philip II, living in a convent. He died in 1611, having in effect retired from the world.

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What they say about Angel Reviews

Invigorating… Gil-Ordóñez led a vital rendition.

Alex Ross The New Yorker

Angel Gil-Ordóñez' insight into Shostakovich's music is astounding.

Solomon Volkov author of Testimony

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