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About Angel Gil-Ordóñez

Gil-Ordóñez

A frequent guest conductor across Europe, the United States and Latin America, Angel Gil-Ordóñez holds the positions of Music Director/Conductor of PostClassical Ensemble in Washington, D.C., Principal Guest Conductor of New York’s Perspectives Ensemble, and Music Director of the Georgetown University Orchestra. He also serves as advisor for education and programming for Trinitate Philharmonia, a program in León, Mexico, modeled on Venezuela’s El Sistema.

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Performances

Sun, August 26, 2018 – 7:00 pm

Falla!

Perspectives Ensemble collaborates with visual artist Kevork Mourad to create an audiovisual and musical experience that transports you on a multimedia journey through Spain. The program includes two classical works by the great Spanish composer Manuel de Falla: El Amor Brujo and Master Peter’s Puppet Show.

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Sat, August 25, 2018 – 8:00 pm

Two Masterpieces by the Great Spanish Composer Manuel de Falla

Perspectives Ensemble collaborates with visual artist Kevork Mourad to create an audiovisual and musical experience that transports you on a multimedia journey through Spain. The program includes two classical works by the great Spanish composer Manuel de Falla: El Amor Brujo and Master Peter’s Puppet Show.

Learn more about this performance

News

Facebook

Posted on September 21 at 12 pm

On a gloomy day like this, it's nice to look back at some well deserved recognition for PostClassical Ensemble's 18-19 Season, courtesy of the Washington Post Fall Arts Guide. Our Nov. 5 season-opening concert at the Washington National Cathedral honoring Walt Whitman gets a nice plug. Check out the rest of PCE's upcoming shows: postclassical.com.

Alfredo García - Barítono

Posted on August 30 at 11 am

What a treat to work with this extraordinary young baritone, Alfredo García. Fabulous Don Quijote for Falla's Retablo de Maese Pedro

Roma Peoples Project at Columbia University

Posted on August 30 at 11 am

An extraordinary interview by Cristiana Grigore to Esperanza Fernandez at Columbia University, as part of our "Falla!" performances and recording for NAXOS

Photos from Angel Gil-Ordóñez, Conductor's post

Posted on August 28 at 12 am

Unforgettable performance of Amor Brujo and Master Peter's Puppet Show at Angel Orensanz Foundation in New York yesterday. Perspectives Ensemble (with its amazing artistic director Sato Moughalian), Esperanza Fernandez, Alfredo García, Jennifer Zetlan, and Jorge Garza. The visual art of Kevork Mourad enhanced the "duende" of the night.

Posted on August 26 at 5 pm

Nobody better for a Manuel de Falla program in New York: Esperanza Fernandez (Candelas/Amor Brujo) and Alfredo García (Don Quijote/Retablo de Maese Pedro)

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In the press

Falla!

Concert review published on August 27, 2018 in The New Yorker

Ángel Gil-Ordóñez: Infravaloramos a nuestras audiencias y lo que hay que hacer es retarlas

Interview published on July 09, 2018 in Konpartitu Magazine

PostClassical Revels in Music of Revueltas

Podcast published on April 20, 2018 in WWFM Classical

Doppelgängers What does Schubert sound like on a jazzy bass trombone?

Article published on February 01, 2018 in The American Scholar

At the altar of change. PostClassical Becomes Ensemble-in-Residence at Washington National Cathedral

Article published on December 21, 2017 in The Washington Diplomat

My thoughts Blog

Reflections on Silvestre Revueltas

Working on Spanish repertoire –the music with which I started my career as a conductor– has helped me to understand the music of all cultures. Consider the internationally popular Spanish filmmaker Pedro Almodóvar. The fact that Almodóvar is so unusual, so local (not just to Spain, but to Madrid), so true to his own vicinity in rendering feeling and experience – this is what makes him so universal. The more I studied the composers of Spain, the more I was able to appreciate the German or French repertoire – or, in the case of tonight’s concert, the music of Mexico.

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Victoria, Falla and the Spanish tradition

Tomas Luis de Victoria is a product of the Siglo de Oro (“The Golden Century”) when Spain was the dominant European nation, Philip II was the powerful Spanish king – and Victoria was Europe’s greatest composer. He was born in Avila in 1548. He went to Rome as a young man and was befriended by Palestrina – the leading Italian church composer of the time. He succeeded Palestrina at the Roman Seminary in 1571 and was ordained a priest four years later. But he yearned to return to Spain, which he did some time in the 1590s as chaplain to the widowed sister of Philip II, living in a convent. He died in 1611, having in effect retired from the world.

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What they say about Angel Reviews

Invigorating… Gil-Ordóñez led a vital rendition.

Alex Ross The New Yorker

Angel Gil-Ordóñez' insight into Shostakovich's music is astounding.

Solomon Volkov author of Testimony

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