About Angel Gil-Ordóñez
A frequent guest conductor across Europe, the United States and Latin America, Angel Gil-Ordóñez holds the positions of Music Director/Conductor of PostClassical Ensemble in Washington, D.C., Principal Guest Conductor of New York’s Perspectives Ensemble, and Music Director of the Georgetown University Orchestra. He also serves as advisor for education and programming for Trinitate Philharmonia, a program in León, Mexico, modeled on Venezuela’s El Sistema.
Angel Gil-Ordóñez is a regular guest conductor at the Bowdoin International Music Festival in Maine. This will be his 5th appearance.
Posted on January 16 at 10 am
Many thanks to our dear friend Philippa Hughes and her Pink Line Project for featuring our upcoming “The Gamelan Experience” at The Washington National Cathedral
Posted on January 12 at 6 pm
Many thanks to Kate Oczypok and The Washington Diplomat for the interview about our upcoming "Cultural Fusion: The Gamelan Experience" http://www.washdiplomat.com/PouchArticle/cms/index.php?option=com_content&view=article&id=741
The Indonesian gamelan will be the centerpiece of PostClassical Ensemble’s latest musical creation, “Cultural Fusion: The Gamelan Experience,” on Jan. 23 at the Washington National Cathedral. The gamelan, a traditional music ensemble made up primarily of percussive instruments, has been descri...
Posted on January 9 at 12 pm
Muchas gracias Naxos en Español and Philippe Adelfang for including in your news Gramophone's feature about our upcoming CD with Perspectives Ensemble
Posted on January 2 at 3 pm
Many thanks to Gramophone for featuring in its "In the Studio" section our upcoming Naxos CD with Perspectives Ensemble, Sato Moughalian, Esperanza Fernández, Alfredo García, Jennifer Zetlan, Jorge Garza, and Kevork Mourad. An excellent way to start the year. Happy 2019 to all!
In the press
My thoughts Blog
Working on Spanish repertoire –the music with which I started my career as a conductor– has helped me to understand the music of all cultures. Consider the internationally popular Spanish filmmaker Pedro Almodóvar. The fact that Almodóvar is so unusual, so local (not just to Spain, but to Madrid), so true to his own vicinity in rendering feeling and experience – this is what makes him so universal. The more I studied the composers of Spain, the more I was able to appreciate the German or French repertoire – or, in the case of tonight’s concert, the music of Mexico.
Tomas Luis de Victoria is a product of the Siglo de Oro (“The Golden Century”) when Spain was the dominant European nation, Philip II was the powerful Spanish king – and Victoria was Europe’s greatest composer. He was born in Avila in 1548. He went to Rome as a young man and was befriended by Palestrina – the leading Italian church composer of the time. He succeeded Palestrina at the Roman Seminary in 1571 and was ordained a priest four years later. But he yearned to return to Spain, which he did some time in the 1590s as chaplain to the widowed sister of Philip II, living in a convent. He died in 1611, having in effect retired from the world.
What they say about Angel Reviews
Invigorating… Gil-Ordóñez led a vital rendition.Alex Ross The New Yorker
Angel Gil-Ordóñez' insight into Shostakovich's music is astounding.Solomon Volkov author of Testimony